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Ausstellung vom 11.11.2012 bis 16.12.2012
Patricia Doherty
Malerei
Ausstellungseröffnung am Sonntag, 11. November 2012 um 11:00 Uhr
Musik clárneid
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Patricia Doherty geboren 1963 in Belfast/Nordirland
von 1982 bis 1986 Studium am Camberwell College of Art in London(akademischer Grad ,,B.A. Honours Degree")
anschließend Studium an der Royal Academy London (Diplom in ,,Fine Art´´im Jahr 1989)
nach dem Studium Tätigkeit in verschiedensten Institutionen (Schulen, Einrichtungen der Erwachsenenbildung, Arts Centres etc.) als Lehrerin, Projekleiterin und Kurskoordinatorin
von 1997 bis 2007 Lehrbeauftragte für das V.E.C. (Vocational Educational Commitee - eine staatliche Einrichtung der Erwachsenenbildung) County Sligo, Irland. Dort als Tutorin für die Planung und Durchführung des Ausbildungsmoduls ,,Art and Design Foundation Certificate´´ zuständig. Â
Lehrtätigkeit in den Fächern Zeichnen, Malerei, Design und Communications.
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From the Tyrone Guthrie Centre at Annaghmakerrig
   A request to visit her studio elicited a positive yet unassuming reply. It was a small, narrow room, with a large window at one end. There were two walls for paintings and a table in the middle of the floor. I had to step inside and close the door before I could really see what Doherty was making in that room. On the wall, to the right of the door, was one of the most extraordinary series of paintings that I have ever had the pleasure to see. Eight pieces of enthralling magic, each of which was vastly different and yet, all interwoven and connected to the other. They were not obviously ‘landscapes’, but they were not entirely ‘abstract’ either. The imagery hovered somewhere between the mountains and the sea, between the ghostly past and a hint of the present, and yet coupled to the real world through the presence of non-descript things.
  Doherty says of her work that is not derived from a specific link or narrative. Her process has more to do with responding to things already present than with the actuality of initiating actions. Yet she is an artist who revels in the endless possibilities that can be wrought from her materials. Doherty’s paint is often laid down in translucent layers and then shifted to hide, or emphasize, or even to obliterate something else underneath. Her habit is to work on individual paintings, but in conjunction with others, such as those I saw in the Tyrone Guthrie Centre that day. By working this way, every decision that she makes; every brush stroke, every choice of colour, every addition of paint has an effect on the entire group of images, and yet, each remains different and individual…"
Dr Éimear O’Connor HRHA
Research Associate-TRIARC Irish Art Research Centre
Trinity College Dublin
August 2012
 HYPERLINK "mailto:eioconno@tcd.ie" eioconno@tcd.ie
 Klicken Sie auf die Bilder, um sie zu vergrößern.
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